Ad Libitum – Round 1 | Day 2

Our Ad Libitum section continued on Sat 1 June, for the remaining eight Quarter-finalists. Ad Libitum means “according to pleasure” and, as such, the competitor chooses a work which resonates with them. Each is required to introduce their chosen piece and its (or their) significance to the judging panel and audience. It’s not just a test of skill and artistry, but of presentation skills and creativity. Australian Victoria Wong (at left) chose Ernst’s Der Erlkönig, expressing its importance…

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Ad Libitum – Day 1

There was a snow warning across the region, but the Queenstown Memorial Centre was sizzling as the Competition kicked off on Friday 31 May. Round 1 | Day 1 saw the first eight competitors perform solo Bach works, Paganini Caprices, charming salon pieces and the hotly awaited and always enlightening Ad Libitum section in which they choose - and curate - their own work. Ad Libitum Ad Libitum means “according to pleasure” and as such the competitor chooses…

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Insider’s Guide – Sunday 2 June

Every Competition, the Quarter-finalists are all required to perform a commissioned piece by a New Zealand composer as part of Round 2. This year, we have the privilege of hearing - 16 times! - a new work by Wellington-born, Edinburgh-based Composer Lyell Cresswell. Lyell is a prolific composer who has written work for orchestra, opera, choral music and beyond. He has an APRA Silver Scroll for his contribution to New Zealand music and a New Zealand Arts Laureate…

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Audience Prize codes

Live and online audience members are encouraged to vote for their favourite competitor, online or NZ mobile (standard charges apply), in the Michael Hill International Violin Competition Audience Prize. Please find the online voting button on our Home Page or text the unique code of your favourite competitor to 3323 (NZ only. Standard call charges apply). Competitor codes are below. Contestant Text code Rimma Benyumova (Russia) RIM Emmalena Huning (Australia) EMMA Do Gyung (Anna) Im (South Korea) ANNA Harry…

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Today’s Insider’s Guide

This beautiful video of our 2011 winner Sergey Malov playing the Paganini’s Caprice 24 perfectly highlights the violinist’s stunning feats of dexterity. Martin Riseley is the Head of Strings at the New Zealand School of Music. He began violin studies at the age of six, and gave his first solo concert when he was ten. Since 2015, he has been Concertmaster of the Christchurch Symphony Orchestra and has conducted the Edmonton Symphony, Manawatu Chamber Orchestra, Academy Strings of Alberta, and…

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Official opening

Our Competitors enjoyed a brilliant opening event and draw announcement, at the home of Competition Founder Sir Michael Hill and his wife Christine, Lady Hill. Guests enjoyed a pōwhiri - a traditional Māori welcome - by Queenstown tangata whenua (people of this place) and children from Arrowtown Primary (pictured), as well as welcome speeches by Queenstown Mayor Jim Boult, Sir Michael Hill and Competition Director Anne Rodda. The following day, we welcomed a group of guests for lunch at…

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Two new competitors

It is bitter sweet for us to announce that we've lost two competitors to the Queen Elisabeth Competition this year. We are delighted for Shannon Lee and Ji Won Song who will battle it out this week in Brussels, and wish them all the best. On the flip side, it means we will now welcome to New Zealand Choi Tung Yeung (at right) from Hong Kong, and Emmalena Huning from Australia. We can only imagine how they are feeling having been…

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2017 Winner’s album released

Violin-lovers can relive the magic between Competitions, because 2017 winner Ioana Cristina Goicea’s new album, Recital, was recently released on the Atoll label. The album includes repertoire by George Enescu, (a nod to Ioana’s Romanian heritage), and music by Johannes Brahms and Franz Schubert completing the offering. The recording is based on the finale live performance of Ioana Cristina’s 2018 winner’s tour with Andrey Gugnin (winner of the 2016 Sydney International Piano Competition). Ioana described it as “one…

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